倒计时
影片信息
- 状态：HD中字
- 主演：珍妮·艾加特/布莱恩·马歇尔/Clare Sutcliffe/西蒙·沃德/
- 导演：大卫·格瑞尼/
- 年份：1969
- 地区：英国
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2025-07-17 00:22
- 简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 不疯魔，不成活！
- 630
-
关注公众号观影不迷路
-
扫一扫用手机访问
网友评分
0次评分
扫一扫用手机访问
剧情简介
The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 不疯魔，不成活！
为你推荐
换一换-
HD国语姜武/闫妮/曾美慧孜/张博鑫/仁龙/林家川/李增辉/桑平/陈韦欣/张然/陈进/闫钊/马艺芮/吉丽/陈佳妍/郑小毛/王新华/吕建伟/江天帆/郭奕君/李丽虹/
-
HD中字摩根·奥/Omara N. Esteghlal/lHana Malasan/
-
HD中字凡妮莎·柯比/詹妮弗·杰森·李/茱莉娅·福克斯/扎克·高察根/兰道尔·朴/Jennifer Lanier/Jason Rouse/Christian Blair/艾琳·威/J·克劳德·迪林/Smack Louis/史蒂芬·詹姆士/Jami Yaeger/Amanda Sloane/Robert Alan Barnett/Sean Martini/Sheryl Lewis/Rachel Pate/Jen l Rowe/Arkira Chantaratananond/
-
HD中字彼得·萨斯加德/约翰·马加罗/本·卓别林/莉奥妮·贝尼希/齐内丁·苏阿莱姆/乔治娜·里奇/克里·约翰逊/马库斯·拉瑟福德/丹尼尔·阿德奥松/本杰明·沃克/费迪南德·道夫勒/索罗门·慕斯利/卡罗琳·埃布讷/丹尼尔·贝茨/雷夫·艾森伯格/塞巴斯蒂安·贾库尔/罗尼·赫尔曼/杰夫·布克/罗伯特·波特·坦伯顿/斯蒂芬·弗雷泽/
-
HD国语陈霖生/王丹梦/拉里·坦查克/西蒙./戈蒂埃/
-
HD国语刘锡明/邱姿/廖剑玲/
-
HD国语羿坤/连萌/翁虹/陈威男/林佳俊/赵娅伟/穆怀虎/
-
HD国语周凯/
-
HD国语张学友/林嘉欣/泰臣/卓韵芝/罗兰/苏志威/韦罗莎/卫诗雅/黄秋生/王喜/
-
HD国语张芯宁/杜鹤/
-
HD国语徐海鹏/练雅佳/洪诗涵/杨文/张长敏/魏如光/袁大森/
-
HD国语斯琴高娃/郭凯敏/蒋冰/顾佳/
-
HD国语彭禺厶/成超越/王双宝/
-
HD国语未知
-
HD国语李树建/曹佩/江云帆/
-
HD国语任达华/麦亨利/克拉拉/钱嘉乐/袁富华/黄德斌/于柏林/吕晨悦/孙毓晗/罗浩铭/胡汀洋/连凯/
-
HD中字阿尔基·戴维/卡米拉·拉瑟福德/多米尼克·斯万/亚当·鲍德温/贾德·尼尔森/詹姆斯·福克斯/艾米·菲利普斯/塞伦·奥德里斯科尔/
-
HD国语任宏恩/张宝英/柳兰芳/杜启泰/艾立/刘雯卉/崔玉荣/李小舟/
-
HD国语郭俊辰/孙伊涵/周彦辰/葛鑫怡/丁真珍珠/翁虹/韩栋/吕一/段奥娟/陈博豪/沈雨/杨曼聆/
-
HD中字卡里斯·范·侯登/马尔万·肯扎里/玛丽·梅·范祖伦/彼特·恩布雷希茨/阿丽亚娜·施洛特/贝蒂·斯胡尔曼/阿卜杜勒卡里姆·埃尔巴兹/塔玛·范·登·朵普/罗伯特·德·霍格/
-
HD中字塔纳兹·塔巴塔巴伊/鲁霍拉·扎马尼/Ali Nassirian/Mohammad Mahdi Mousavifar/Shamila Shirzad/Javad Ezati/Abolfazl Shirzad/Mani Ghafouri/Safar Mohammadi/Ali Ghabeshi/Babak Lotfi Khajepasha/
-
HD中字丹泽尔·华盛顿/伊娃·门德斯/桑娜·莱瑟/迪恩·凯恩/约翰·比灵斯列/
-
HD中字埃拉·巴林斯卡/
-
HD中字让-皮埃尔·利奥德/克莱尔·莫里耶/阿尔贝·雷米/盖·德孔布勒/乔治·弗拉芒/弗朗索瓦·诺谢/塞尔热·莫阿蒂/Luc Andrieux/Christian Brocard/克洛德·芒萨尔/雅克·莫诺/皮埃尔·勒普/亨利·维尔洛热/让-克洛德·布里亚利/让娜·莫罗/菲利普·德·布罗卡/雅克·德米/让·杜歇/让-吕克·戈达尔/Laure Paillette/弗朗索瓦·特吕弗/
-
HD国语于小磊/孙金良/蒋珊/忻宇杰/许还山/
-
HD国语牛牛/梁鑫/吴彦琦/
-
HD中字盖尔·加西亚·贝纳尔/路易斯·尼科/梅赛黛斯·莫朗/埃米利奥·古铁雷斯·卡巴/迭戈·穆尼奥斯/亚历山德罗·高克/巴勃罗·德尔基/马斯洛·阿兰瑟/迈克尔·席尔瓦/弗朗西斯科·雷耶斯/杰米·瓦德尔/内斯托尔·坎蒂利亚纳/阿尔佛莱德·卡斯特罗/马尔西亚·塔格莱/安帕罗·诺格拉/
-
HD中字朱利安·迪尼森/山姆·尼尔/瑞玛·特·维塔/瑞切尔·豪斯/蒂欧蕾欧尔·娜塔-墨尔本/奥斯卡·凯特利/斯坦·沃克/迈克·米诺格/科恩·霍洛维/瑞斯·达比/特洛伊·金/塔伊加·维迪提/图斯/芬恩/
-
HD中字简·伯金/玛鲁施卡·迪特马斯/Philippe Léotard/
-
HD中字阿南尼娅·潘迪/Vihaan/Samat/
最新资讯
更多-
9 部影评人吹上天，普通人却看不下去的好莱坞电影电影资讯昨天22:14
-
听说这部是近十年最佳动作片？电影资讯昨天22:14
-
一段跨越80年的岭南传奇！《坪石先生》映后交流引观众落泪电影资讯昨天22:14
-
影帝李奥纳多·迪卡普里奥《Esquire》封面大片，巨星派头悠闲从容娱乐新闻昨天22:14
-
《浪浪山小妖怪》看笑了多少孩子，却看哭了无数成年人电影资讯昨天22:14